Features

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What Fipadoc tells us about French & int’l documentaries

The TV industry’s events schedule remains a challenging environment but face-to-face meetings are a vital…

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TBI Tech & Analysis: “No renaissance for traditional TV” as online video reigns

Dramatic change has been experienced by the TV and video business over the past couple…

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Opinion: Why distributors need to think like commissioners

Philip Barnsdall-Thompson, SVP of acquisitions, UK, America & EMEA, at Flame Distribution, shares his thoughts…

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TBI Weekly: Why cheaper tech will surface new voices in natural history

As 2022 gets into its stride, natural history is again making an impact on screen…

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TBI Tech & Analysis: Why language puts US and France ahead on channel choice

The US and France stand apart in terms of the number of channels available to…

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How to secure investment in your company, by those who’ve done it

Scripted costs have surged over recent years, with streamers’ demands supercharging the market. Nick Edwards…

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Opinion: Quintus Studios’ exec Adam Jacobs on taking the plunge

At the beginning of 2021, I was a freelance development consultant working up ideas and…

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Show of the Week: Cardo

Ana Rujas heads the cast of this 6 x 30-minute Spanish drama series as Maria,…

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TBI Weekly: Five questions for SkyShowtime’s new CEO

This week’s appointment of Monty Sarhan as the CEO of SkyShowtime takes us one significant…

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TBI Tech & Analysis: Who’s ahead of the game in global channel reach?

As more brands go global, the battle to place content in front of the greatest…

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Opinion: Who cares about your content?!

In the first instalment of a monthly column, Siobhan Crawford, head of sales and acquisitions at…

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Diversity: Ensuring a snowball effect on accessibility

Deborah Williams looks at how the pandemic has made some events more accessible and urges…

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TBI Weekly: TBI’s favourite shows of 2021

It has been another rollercoaster of a pandemic-hit year and yet the quality of programming…

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TBI Tech & Analysis: Exploring the soaring cost of content

As competition in the subscription streaming market heats up, production budgets are getting bigger. Omdia’s…

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What does a modern indie look like?

Rebecca Knight, co-CEO of recently launched factual production company Collective Media Group, highlights the lessons…

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TBI Tech & Analysis: How RTL Group is competing on streaming

US media giants are targeting Europe with their streamers but incumbent operators are making moves…

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TBI Weekly: Exploring a new dawn for Portugal’s drama industry

From tax breaks to co-pros and burgeoning Atlantic alliances, Portugal’s drama business is attracting increasing…

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TBI Tech & Analysis: Unpacking Netflix & Amazon’s European drama plans

WarnerMedia, ViacomCBS and NBCUniversal are ramping up competition in an already crowded streaming ecosystem in…

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How Arrow hit its target on doc about ‘forgotten’ AIDS pandemic

Grace Chapman, series director at UK factual prodco Arrow Pictures, reveals how docuseries Positive delves into the arrival…

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Unmasking AVOD’s format potential

Could AVOD provide a fertile new breeding ground for fresh unscripted ideas? Tim Dams finds…

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TBI Tech & Analysis: Why Netflix chose its new viewing metric

Netflix recently revealed a swathe of new data reflecting its most-watched shows using a new…

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Going Green on ‘BBC Children In Need’ 2021 production

Peter Davey, executive in charge of Comic Relief, Sport Relief, Children In Need and The…

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TBI Tech & Analysis: Who’s watching what on Netflix?

Netflix remains the largest global streaming service, yet many details of how its content is…

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What Globoplay’s first telenovela says about its content strategy

Brazilian giant Globo has transformed its streaming strategy over recent years, with Globoplay recently ordering…

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TBI Weekly: Why US SVOD saturation matters for global production

US viewers have been gobbling up content at unprecedented rates over the past few years,…

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TBI In Conversation: What ‘Mixte’ tells us about French production potential

Eleonore Dailly, co-founder of Mixte producer Autopilot Entertainment, tells TBI deputy editor Mark Layton about…

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TBI Tech & Analysis: How Disney+ fits into South Africa’s SVOD boom

South Africa’s SVOD landscape has seen rapid growth over recent years with global players joining…

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Content Innovation Awards 2021 photo gallery

Check out the photographs from the Content Innovation Awards 2021, which took place last week…

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TBI in Conversation: How Ukraine’s ‘Brave Bunnies’ conquered the world

TBI’s Mark Layton hears how Brave Bunnies creator Olga Cherepanova took her pre-school animated bunnies…

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Buyers Profiles: SVT’s Mikael Österby & Canal Brasil’s Alexandre Cunha

As part of a new strand of content, TBI has partnered with online screenings portal…