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Features
What Fipadoc tells us about French & int’l documentaries
The TV industry’s events schedule remains a challenging environment but face-to-face meetings are a vital…
TBI Tech & Analysis: “No renaissance for traditional TV” as online video reigns
Dramatic change has been experienced by the TV and video business over the past couple…
Opinion: Why distributors need to think like commissioners
Philip Barnsdall-Thompson, SVP of acquisitions, UK, America & EMEA, at Flame Distribution, shares his thoughts…
TBI Weekly: Why cheaper tech will surface new voices in natural history
As 2022 gets into its stride, natural history is again making an impact on screen…
TBI Tech & Analysis: Why language puts US and France ahead on channel choice
The US and France stand apart in terms of the number of channels available to…
How to secure investment in your company, by those who’ve done it
Scripted costs have surged over recent years, with streamers’ demands supercharging the market. Nick Edwards…
Opinion: Quintus Studios’ exec Adam Jacobs on taking the plunge
At the beginning of 2021, I was a freelance development consultant working up ideas and…
Show of the Week: Cardo
Ana Rujas heads the cast of this 6 x 30-minute Spanish drama series as Maria,…
TBI Weekly: Five questions for SkyShowtime’s new CEO
This week’s appointment of Monty Sarhan as the CEO of SkyShowtime takes us one significant…
TBI Tech & Analysis: Who’s ahead of the game in global channel reach?
As more brands go global, the battle to place content in front of the greatest…
Opinion: Who cares about your content?!
In the first instalment of a monthly column, Siobhan Crawford, head of sales and acquisitions at…
Diversity: Ensuring a snowball effect on accessibility
Deborah Williams looks at how the pandemic has made some events more accessible and urges…
TBI Weekly: TBI’s favourite shows of 2021
It has been another rollercoaster of a pandemic-hit year and yet the quality of programming…
TBI Tech & Analysis: Exploring the soaring cost of content
As competition in the subscription streaming market heats up, production budgets are getting bigger. Omdia’s…
What does a modern indie look like?
Rebecca Knight, co-CEO of recently launched factual production company Collective Media Group, highlights the lessons…
TBI Tech & Analysis: How RTL Group is competing on streaming
US media giants are targeting Europe with their streamers but incumbent operators are making moves…
TBI Weekly: Exploring a new dawn for Portugal’s drama industry
From tax breaks to co-pros and burgeoning Atlantic alliances, Portugal’s drama business is attracting increasing…
TBI Tech & Analysis: Unpacking Netflix & Amazon’s European drama plans
WarnerMedia, ViacomCBS and NBCUniversal are ramping up competition in an already crowded streaming ecosystem in…
How Arrow hit its target on doc about ‘forgotten’ AIDS pandemic
Grace Chapman, series director at UK factual prodco Arrow Pictures, reveals how docuseries Positive delves into the arrival…
Unmasking AVOD’s format potential
Could AVOD provide a fertile new breeding ground for fresh unscripted ideas? Tim Dams finds…
TBI Tech & Analysis: Why Netflix chose its new viewing metric
Netflix recently revealed a swathe of new data reflecting its most-watched shows using a new…
Going Green on ‘BBC Children In Need’ 2021 production
Peter Davey, executive in charge of Comic Relief, Sport Relief, Children In Need and The…
TBI Tech & Analysis: Who’s watching what on Netflix?
Netflix remains the largest global streaming service, yet many details of how its content is…
What Globoplay’s first telenovela says about its content strategy
Brazilian giant Globo has transformed its streaming strategy over recent years, with Globoplay recently ordering…
TBI Weekly: Why US SVOD saturation matters for global production
US viewers have been gobbling up content at unprecedented rates over the past few years,…
TBI In Conversation: What ‘Mixte’ tells us about French production potential
Eleonore Dailly, co-founder of Mixte producer Autopilot Entertainment, tells TBI deputy editor Mark Layton about…
TBI Tech & Analysis: How Disney+ fits into South Africa’s SVOD boom
South Africa’s SVOD landscape has seen rapid growth over recent years with global players joining…
Content Innovation Awards 2021 photo gallery
Check out the photographs from the Content Innovation Awards 2021, which took place last week…
TBI in Conversation: How Ukraine’s ‘Brave Bunnies’ conquered the world
TBI’s Mark Layton hears how Brave Bunnies creator Olga Cherepanova took her pre-school animated bunnies…
Buyers Profiles: SVT’s Mikael Österby & Canal Brasil’s Alexandre Cunha
As part of a new strand of content, TBI has partnered with online screenings portal…