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Features
Viewpoint: Rob Davis, Double Act Productions
Seasoned documentary maker Rob Davis runs through the moral mazes filmmakers come up against when…
A Rare occurence
Antony Fraser, CEO of Rare TV answers TBI’s questions as to why now is a…
Cartoon Forum 2014: pre-market, part four
Every year, brave indie producers stand before the great and the good of European animation…
Cartoon Forum 2014: pre-market guide, part three
Every year, brave indie producers stand before the great and the good of European animation…
Cartoon Forum 2014: pre-market guide, part two
Every year, brave indie producers stand before the great and the good of European animation…
Cartoon Forum 2014: pre-market guide, part one
Every year, brave indie producers stand before the great and the good of European animation…
The Royals – Lionsgate’s regal ambition
E! is best-known for its glossy entertainment programming and awards show coverage, but like many…
Bassetti’s Banijay: ‘We won’t pay insane prices for prodcos’
Marco Bassetti, who became CEO of Paris-based production group Banijay in April 2013, tells Jesse…
Twitter Amplified – a new distribution model
It is just over a year ago that Twitter launched its Amplify initiative for content…
What can Chelsea Handler tell us about Netflix’s next steps?
The evolution of Netflix accelerates faster and faster with every announcement, and with its deal…
The factual landscape: ducks, docs and digital
The business of selling factual programming is changing – with free-to-air slots for classic factual…
Viewpoint: How funding schemes are driving UK animation
As the Children’s Media Conference in Sheffield, UK, kicks off today and calls for a…
China and UK coming together at the Children’s Media Conference
Trevor Lai will be at the Children’s Media Conference in Sheffield, UK, this week to…
Sunny (Chinese) Side of the Doc
The screening and copro documentary market Sunny Side of the Doc remains a very French…
Documentary filming – how much is too much?
Rob Davis, co-owner, Double Act Productions I’m a documentary filmmaker who runs Double Act Productions…
The copro landscape: Meet the fixers
A batch of one-stop shop consultancies from the UK aimed at facilitating global coproduction has…
Antena tuned to Romanian TV
The Romanian TV market is ultra-competitive with numerous channels vying for ratings and a slice…
Josh Sapan’s drama lessons
AMC has struck pay (TV) dirt three times with Mad Men, Breaking Bad and The…
Starz power
Starz is investing more in programming, reaching out to specific segments of the audience and…
Thunderbirds are go with first presale
Australia’s Nine Network has acquired the upcoming Thunderbirds reboot. The series, which will be distributed…
State House opens doors to African drama
Having moved into original entertainment programming, East African pay TV operator Zuku is starting to…
What next in the Netherlands?
From Big Brother to The Voice via Deal or No Deal and Splash! Dutch producers…
France: kids TV at a crossroads
With the Annecy animation festival beginning today, Pascale Paoli-Lebailly hears from leading players about the…
Creatives speaking: Gilles Bannier on Paris
Gilles Bannier was lined up to direct The Tunnel, the Canal+ and Sky remake of…
Shooting down the pirates
As startling new statistics reveal the scale of the illegal sharing of TV shows, TBI…
LA Screenings review: big name drama delivers on promise
Last week’s LA Screenings saw international buyers including BBC’s director of television Danny Cohen, TV2…
Never Tear Us Apart – the INXS series
This miniseries from Shine Australia aims to lift the lid on legendary Australian rock band…
Kids live-action takes a step forward
The value of investing in live-action programming is becoming abundantly clear to broadcasters around the…
LA Screenings 2014: The case for drama
New CSI, NCIS, Marvel and DC Comics series suggest the US networks are sticking to…
Viewpoint: Todd Lituchy – a pilot’s progress
The concept of US networks adapting international scripted series for the American market is nothing…