Features

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Viewpoint: Rob Davis, Double Act Productions

Seasoned documentary maker Rob Davis runs through the moral mazes filmmakers come up against when…

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A Rare occurence

Antony Fraser, CEO of Rare TV answers TBI’s questions as to why now is a…

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Cartoon Forum 2014: pre-market, part four

Every year, brave indie producers stand before the great and the good of European animation…

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Cartoon Forum 2014: pre-market guide, part three

Every year, brave indie producers stand before the great and the good of European animation…

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Cartoon Forum 2014: pre-market guide, part two

Every year, brave indie producers stand before the great and the good of European animation…

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Cartoon Forum 2014: pre-market guide, part one

Every year, brave indie producers stand before the great and the good of European animation…

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The Royals – Lionsgate’s regal ambition

E! is best-known for its glossy entertainment programming and awards show coverage, but like many…

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Bassetti’s Banijay: ‘We won’t pay insane prices for prodcos’

Marco Bassetti, who became CEO of Paris-based production group Banijay in April 2013, tells Jesse…

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Twitter Amplified – a new distribution model

It is just over a year ago that Twitter launched its Amplify initiative for content…

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What can Chelsea Handler tell us about Netflix’s next steps?

The evolution of Netflix accelerates faster and faster with every announcement, and with its deal…

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The factual landscape: ducks, docs and digital

The business of selling factual programming is changing – with free-to-air slots for classic factual…

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Viewpoint: How funding schemes are driving UK animation

As the Children’s Media Conference in Sheffield, UK, kicks off today and calls for a…

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China and UK coming together at the Children’s Media Conference

Trevor Lai will be at the Children’s Media Conference in Sheffield, UK, this week to…

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Sunny (Chinese) Side of the Doc

The screening and copro documentary market Sunny Side of the Doc remains a very French…

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Documentary filming – how much is too much?

Rob Davis, co-owner, Double Act Productions I’m a documentary filmmaker who runs Double Act Productions…

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The copro landscape: Meet the fixers

A batch of one-stop shop consultancies from the UK aimed at facilitating global coproduction has…

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Antena tuned to Romanian TV

The Romanian TV market is ultra-competitive with numerous channels vying for ratings and a slice…

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Josh Sapan’s drama lessons

AMC has struck pay (TV) dirt three times with Mad Men, Breaking Bad and The…

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Starz power

Starz is investing more in programming, reaching out to specific segments of the audience and…

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Thunderbirds are go with first presale

Australia’s Nine Network has acquired the upcoming Thunderbirds reboot. The series, which will be distributed…

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State House opens doors to African drama

Having moved into original entertainment programming, East African pay TV operator Zuku is starting to…

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What next in the Netherlands?

From Big Brother to The Voice via Deal or No Deal and Splash! Dutch producers…

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France: kids TV at a crossroads

With the Annecy animation festival beginning today, Pascale Paoli-Lebailly hears from leading players about the…

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Creatives speaking: Gilles Bannier on Paris

Gilles Bannier was lined up to direct The Tunnel, the Canal+ and Sky remake of…

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Shooting down the pirates

As startling new statistics reveal the scale of the illegal sharing of TV shows, TBI…

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LA Screenings review: big name drama delivers on promise

Last week’s LA Screenings saw international buyers including BBC’s director of television Danny Cohen, TV2…

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Never Tear Us Apart – the INXS series

This miniseries from Shine Australia aims to lift the lid on legendary Australian rock band…

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Kids live-action takes a step forward

The value of investing in live-action programming is becoming abundantly clear to broadcasters around the…

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LA Screenings 2014: The case for drama

New CSI, NCIS, Marvel and DC Comics series suggest the US networks are sticking to…

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Viewpoint: Todd Lituchy – a pilot’s progress

The concept of US networks adapting international scripted series for the American market is nothing…