TBI Weekly

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TBI Weekly: Six takeaways from a week with Covid-19

It might feel like you’ve been stuck indoors for months but for most readers outside…

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TBI Weekly: All the buzz from Berlinale

German film festival Berlinale is wrapping up a milestone edition and as Nick Edwards reports,…

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TBI Weekly: How mega-mergers are set to impact third-party distribution deals

A frenzied period of consolidation is beginning to leave an indelible mark on the distribution…

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TBI Weekly: Why companion podcasts are the new switchover programmes

Never mind cranking TV shows out of podcast IP, the real sweet spot in the…

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TBI Weekly: How Red Arrow Studios fits into M&A frenzy (Column)

A flurry of deals yesterday highlighted the surging appetite for acquisitions and with companies including…

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TBI Weekly: Streaming evolution leaves Netflix out on its own

The end of August traditionally signals the end of vacations and a return to work…

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TBI Weekly: ViacomCBS, a US deal with global implications

CBS and Viacom’s merger might have created a $30bn US-based content company but a foray…

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TBI Weekly: Women’s World Cup shows FTA broadcasters’ enduring appeal

The ratings success of the Women’s World Cup shows the power that free-to-air broadcasters around…

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TBI Weekly: Netflix’s rare transparency serves “global inspiration” to producers

Netflix’s unprecedented transparency in detailing its documentary strategy at this week’s Sunny Side of the…

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TBI Weekly: ‘Chernobyl’ is astonishing, but what’s next for HBO? (Column)

As HBO rolls out hit dramas such as Chernobyl that carry the signature marks of outgoing drama…

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TBI Weekly: Making sense of the tug of war for BritBox (Column)

The reported friction between the BBC and ITV over windowing shows for their joint SVOD…

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TBI Weekly: Five takeaways from Netflix’s Q1 results

Netflix beat expectations all round for its first quarter results of 2019, drawing $4.52bn for…

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TBI Weekly: Brexit fallout signals more competition for UK businesses

One week away from the UK’s Brexit deadline, it remains unclear what the country’s quest…

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TBI Weekly: CNN’s Amy Entelis on how to build an Oscar-nominated doc

Since launching an originals strategy in 2012, CNN has built a formula for its series…

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TBI Weekly: Windowing battle brews for the BBC  

Senior producers and BBC Studios execs have spoken out about the public broadcaster’s plans to…

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TBI Weekly: Netflix’s record doc deal reveals “hunger” for youth-skewing fare

Netflix knocked down the house this week, dishing out a record-breaking $10m for a high-profile…

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TBI Weekly: Old vs. new money face off for unscripted

A wealth of shiny digital entrants may well suggest TV is currently a supplier’s market,…

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TBI Weekly: 10 things we know about Disney’s 2019 strategy

Disney revealed crucial details this week around its plans for Fox’s entertainment assets and how…

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TBI Weekly: What’s next for Comcast, Sky and the Murdochs?

As 21st Century Fox walks away from Sky after selling its 39% stake in the…

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TBI Weekly: Why BT’s move away from drama might not be a bad idea

This week, BT boss Gavin Patterson (above) pledged that he would not invest in original…

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TBI Weekly: Sub success for SVOD players

A range of stories from this week highlight that a push in original content is…

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TBI Weekly: new faces at Fremantle

FremantleMedia’s unscripted team in London will soon have a very different look, with Liam Humphreys…