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Opinion
Opinion: How we’re fighting unconscious bias in TV recruitment
Sarah Lee, founder and creative director of UK recruitment platform The Talent Manager, explains why…
China’s new TV frontier offers short-form opportunity
Ahead of UK trade body Pact’s UK China Creative Exchange event in London next week,…
Opinion: tech is game for TV takeover
With analysts this week claiming sports remains the critical factor in pay TV subscriptions, Iain…
Analysis – the next steps for the Digital Single Market reforms
Ingrid Silver from media law firm Reed Smith cast legal eye over why the European…
Opinion: TV content – where’s the innovation?
Megan Goodwin, joint managing director of digital consultancy Interactive Rights Management, argues TV companies are running…
Viewpoint: ignore Asia at your peril
Amanda Groom from coproduction specialist The Bridge assesses the state of the Asian market for…
House moves are killing the basic pay bundle
Ahead of his keynote at Informa’s OTTtv World Summit tomorrow in London, former AMC Networks,…
Analysis: why would Fox sell to Disney?
Yesterday, it emerged 21st Century Fox had held talks to sell much of its business…
To boldly go… to MIPCOM
Danny Fenton, CEO of Zig Zag Productions, offers his thoughts on the latest MIPCOM. As…
Australia should look to Canada for Netflix solution
Chris Hilton from Essential Media and Entertainment argues Australia could do worse than look at…
The importance of knowing your history
Adam Jacobs of UK indie Woodcut Media argues the history programming is rediscovering its mojo,…
Feel-good programming is needed in our crazy world
Media Ranch president Sophie Ferron explores why feel-good titles from This is Us to Pay it…
Viewpoint: A Romper Stomper route to television
Film director Geoffrey Wright explains the process of how his cult Australian feature film Romper…
Television can help the aged
Red Arrow International’s head of non-scripted, Harry Gamsu, discusses TV’s role in the health and…
Viewpoint: Game of Thrones and the art of the modern opener
With the latest season of HBO’s Game of Thrones almost upon us, the first thing…
The view from the Riviera
It’s hard to find a more beautiful and glamorous location to shoot than the Côte…
How Loaded went from Israel to Channel 4
Hillbilly TV co-founders Kate Norrish and Polly Leys recall how their UK drama business begn,…
Jamie, FoodTube and the changing face of MCNs
K7 Media’s Clare Thompson asks what the demise of Jamie Oliver’s FoodTube tells us about…
Viewpoint: Discop Dubai fills a gap in the MENA market
On the eve of the inaugural Discop Dubai event, Yvonne Pilkington, senior VP of format…
Viewpoint: Factual TV in a post-truth era
Jan Salling, CEO, Missing Link Media & co-chairman, FRAPA Donald Trump has become a leading…
TV equality – it’s time to put women in charge
Kate Kinninmont MBE, CEO of WFTV in the UK When I started working for the…
Writer’s block – keeping control of adaptations
Louise Berg from the entertainment and media industry group at global law firm Reed Smith…
How popular is your content… really?
Wared Seger, CEO and co-founder, Parrot Analytics Before the advent of writing, it was storytelling…
Viewpoint: The anthology strikes back
Dan Whitehead, head of drama and digital at UK consultancy K7 Media, on how anthology…
A first-timer’s (re)view of MIPCOM
So Drive made its virgin trip to MIPCOM as a distributor this week; full disclosure, we have…
Distributor to doc producer with the Royal Good Guys
As career moves go, turning documentary producer after 27 years in distribution may seem odd, even…
Viewpoint: SVOD’s niche future
What do such disparate brands as CBS All Access, CrunchyRoll, WWE Network and Eros on…
Rose-tinted spectacle
Jeroen Depraetere, head of television and future media at the European Broadcasting Union, outlines the…
China formats report
Zig Zag Productions commercial director Matt Graff says China remains television’s final frontier for producers,…
Viewpoint: Canada – the battle continues
At the end of last year I penned an opinion piece for TBI about the…
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