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Features
10 MIPTV takeaways: #5 where’s the party?
For those who have been going for decades it is easy to forget that Cannes…
10 MIPTV takeaways: #6 the many faces of Vice
The management team that make up Vice Media are not your traditional television executives. Shane…
One-size-fits-all won’t work everywhere for Netflix
Viewpoint: Bruce Tuchman, global media executive and former president of AMC and Sundance Channel Global…
Making the Grade – The TBI Interview
As their new lifestyle series, The Wine Show, launches in the UK on ITV, British…
10 MIPTV takeaways: #4 eclectic talent on the Croisette
The list of famous faces in Cannes last week reads like a mad hatter’s tea…
MIPTV takeaways: #3 Vivendi puts Europe in the spotlight
MIPTV is now mostly about Europe and the continent’s content, and last week it was…
In-demand charts: France (April 3-9, 2016)
Our latest fortnightly feature in association with Parrot Analytics reveals the most in-demand shows from…
10 MIPTV takeaways: #1 No Rising Star, but Roots established
The years when everyone was talking about one show at the MIPTV market are over….
10 MIPTV takeaways: #2 VR now a reality?
The television content business might be a sucker for a new medium to explore, but…
Soderbergh: “My plan right now is TV”
Steven Soderbergh is a producer, director and writer best known for movies including Sex, Lies…
MGM wants to join unscripted’s big league
A year ago, MGM’s Chris Ottinger (left) told TBI that the studio was going to…
Superheroic acts
Ahead of another season of fresh US studio dramas, Jesse Whittock investigates the role superhero…
Viewpoint: Netflix’s challenge, the next 50 million
Netflix finished 2015 with nearly 71 million paying streaming subscribers, up by 16.4 million year-on-year….
DHX tries out the studio system
With a new producer in the fold and a production workforce numbering 900, DHX Media…
Serialised killers
A new wave of true crime series that ape the structure of serialised dramas has…
Will VR rock in 2016?
Virtual reality is the talk of the town, with new hardware and a proliferation of…
Under the bonnet of the new Top Gear
Top Gear is the biggest factual TV show in the world, and one of the…
Hungry for horror
What is whetting the appetite of horror fans? Zombies? Demons? Monsters? Jesse Whittock looks for…
SVOD rewrites the drama script
In three years Netflix and its SVOD counterparts have turned the TV drama world on…
Spanish fiction: dramatic times
With the country’s recession now over, Spanish TV producers are cautiously resuming plans for growth….
TV’s Big Questions: is linear TV dead or dying?
At the recent CES show in Las Vegas, YouTube’s chief business officer Robert Kyncl forecast…
TV’s Big Questions: has 4K truly broken through?
There was a buzz around ultra-high definition television coming into 2015, but did the medium…
Writer’s Room: Sharon Horgan
Irish comedy star Sharon Horgan on the quirks she and production partner Clelia Mountford found…
Justice landmark for Middle East drama
There is a tradition of local drama in the Middle East, but Heart of Justice…
NATPE 2016 in review
Zag Zag Productions Danny Fenton provides the low-down on last week’s NATPE market in Miami…
TV’s Big Questions: what is shaping the world of content?
Platforms, technology and marketing aside, what really drives the international TV industry is content. We…
Attention shifts to Europe as NATPE Miami wraps
The bosses of NATPE Miami hailed this week’s event a success, flagging the a-list conference…
Televisa shows off its English language skills
Televisa is the world’s largest producer of Spanish-language programming. Now the Mexican media giant is…
TV’s Big Questions: have direct-to-consumer services affected the market?
Many believe 2015 was the year traditional pay TV broadcasters finally accepted they would need…
TV’s Big Questions: what direction should the BBC take?
The BBC, perhaps the world’s most revered pubcaster, is under financial, political and cultural pressure…