Features

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10 MIPTV takeaways: #5 where’s the party?

For those who have been going for decades it is easy to forget that Cannes…

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10 MIPTV takeaways: #6 the many faces of Vice

The management team that make up Vice Media are not your traditional television executives. Shane…

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One-size-fits-all won’t work everywhere for Netflix

Viewpoint: Bruce Tuchman, global media executive and former president of AMC and Sundance Channel Global…

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Making the Grade – The TBI Interview

As their new lifestyle series, The Wine Show, launches in the UK on ITV, British…

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10 MIPTV takeaways: #4 eclectic talent on the Croisette

The list of famous faces in Cannes last week reads like a mad hatter’s tea…

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MIPTV takeaways: #3 Vivendi puts Europe in the spotlight

MIPTV is now mostly about Europe and the continent’s content, and last week it was…

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In-demand charts: France (April 3-9, 2016)

Our latest fortnightly feature in association with Parrot Analytics reveals the most in-demand shows from…

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10 MIPTV takeaways: #1 No Rising Star, but Roots established

The years when everyone was talking about one show at the MIPTV market are over….

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10 MIPTV takeaways: #2 VR now a reality?

The television content business might be a sucker for a new medium to explore, but…

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Soderbergh: “My plan right now is TV”

Steven Soderbergh is a producer, director and writer best known for movies including Sex, Lies…

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MGM wants to join unscripted’s big league

A year ago, MGM’s Chris Ottinger (left) told TBI that the studio was going to…

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Superheroic acts

Ahead of another season of fresh US studio dramas, Jesse Whittock investigates the role superhero…

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Viewpoint: Netflix’s challenge, the next 50 million

Netflix finished 2015 with nearly 71 million paying streaming subscribers, up by 16.4 million year-on-year….

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DHX tries out the studio system

With a new producer in the fold and a production workforce numbering 900, DHX Media…

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Serialised killers

A new wave of true crime series that ape the structure of serialised dramas has…

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Will VR rock in 2016?

Virtual reality is the talk of the town, with new hardware and a proliferation of…

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Under the bonnet of the new Top Gear

Top Gear is the biggest factual TV show in the world, and one of the…

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Hungry for horror

What is whetting the appetite of horror fans? Zombies? Demons? Monsters? Jesse Whittock looks for…

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SVOD rewrites the drama script

In three years Netflix and its SVOD counterparts have turned the TV drama world on…

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Spanish fiction: dramatic times

With the country’s recession now over, Spanish TV producers are cautiously resuming plans for growth….

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TV’s Big Questions: is linear TV dead or dying?

At the recent CES show in Las Vegas, YouTube’s chief business officer Robert Kyncl forecast…

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TV’s Big Questions: has 4K truly broken through?

There was a buzz around ultra-high definition television coming into 2015, but did the medium…

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Writer’s Room: Sharon Horgan

Irish comedy star Sharon Horgan on the quirks she and production partner Clelia Mountford found…

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Justice landmark for Middle East drama

There is a tradition of local drama in the Middle East, but Heart of Justice…

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NATPE 2016 in review

Zag Zag Productions Danny Fenton provides the low-down on last week’s NATPE market in Miami…

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TV’s Big Questions: what is shaping the world of content?

Platforms, technology and marketing aside, what really drives the international TV industry is content. We…

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Attention shifts to Europe as NATPE Miami wraps

The bosses of NATPE Miami hailed this week’s event a success, flagging the a-list conference…

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Televisa shows off its English language skills

Televisa is the world’s largest producer of Spanish-language programming. Now the Mexican media giant is…

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TV’s Big Questions: have direct-to-consumer services affected the market?

Many believe 2015 was the year traditional pay TV broadcasters finally accepted they would need…

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TV’s Big Questions: what direction should the BBC take?

The BBC, perhaps the world’s most revered pubcaster, is under financial, political and cultural pressure…