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Features
Testing times for talent
Louise Berg, senior associate, Reed Smith LLP Talent shows have featured on our televisions screens…
TV’s Big Questions: has the wave of M&A been positive for the industry?
Industry consolidation continued apace in 2015. The biggest deal, announced last year and effective from…
TV’s Big Questions: has the wave of M&A been positive for the industry?
Industry consolidation continued apace in 2015. The biggest deal, announced last year and effective from…
EU’s copyright changes can be cause for cheer
Compact Media’s CEO, David Johnson, argues last month’s communication from the European Commission on new…
TV’s Big Questions: are the main markets still relevant?
Distribution is changing. The Frank brothers have created a digital rights trading platform, TRX, which…
TV’s Big Questions: is the golden age of TV drama over?
We asked the industry whether the drama golden age had hit its peak and it’s…
TV’s Big Questions: which digital platform made the most impact in 2015?
“I am in no doubt that Netflix in particular has completely changed the way we…
Seven hurdles Netflix must overcome before it is a global player
This week, Reed Hastings, CEO of Netflix, announced its launch in 130 more countries, bringing its total…
Join the QYou
The QYou is aiming to bridge the gap between millennials-focused short-form online video and traditional…
Canadian TV’s Annus Horribilis?
For the past 30 years the Canadian TV and film industry has been protected with…
TV’s Big Questions: what development took you by surprise in 2015?
This time last year, we asked the TV industry what the defining trend of 2015…
Australia’s drama landscape
Known for its soapie successes in Neighbours and Home & Away, contemporary, high-end projects from…
Viewpoint: MCNs should go beyond YouTube
Miles Weaver, director of product marketing at TV tech firm Piksel, which recently co-launched GetBeyond.US…
Call to live-action
Alison Homewood speaks to broadcasters and producers about the impact that the new kids live-action…
Randi Zuckerberg talks Dot.
Randi Zuckerberg is a tech entrepreneur who, having worked at Facebook, the company her brother…
An Asian Viu on OTT
Hong Kong-based telco and pay TV operator PCCW made an aggressive OTT play this October…
China: full speed ahead
As new drama coproduction and digital opportunities open up in China, TBI speaks to the…
Exporting in Asia
ATF is the biggest TV market in Asia. Ahead of the trip to Singapore, TBI…
Viewpoint: festivals – do distributors care?
As the founder and managing director of boutique factual distributor Scorpion TV, David Cornwall has…
Doors open for French formats
France’s TV formats are finding growing success in the global market, in tandem with a…
Formats Ireland
Ireland is emerging as a solid format creating hotspot, as its small local market forces…
South Africa’s Southern styling
South Africa has become a key strategic territory for international players, while local producers seek…
Viewpoint: the seven deadly sins of scripted formats
K7 Media founder Keri Lewis-Brown provides some hints on what constitutes a hit, and where…
Is the hype around OTT over the top?
Last week two landmark announcements signalled the pace of change in the pay TV industry…
Going (digital) native
Why are television’s biggest groups spending millions of dollars on YouTube talent-focused multichannel networks? Jesse…
Wanted: procedural series
Demand remains high for procedural drama, but the supply from the US is slowing. Stewart…
Kaplan’s international vision: creator-led content
Days into her new job as Discovery’s international content supremo, Marjorie Kaplan tells Stewart Clarke…
In depth: The Last Panthers
Act 1 Sky and StudioCanal are hoping for rich international pickings with starry new international…
Pulse quickens
Thomas Benski is intent on turning multiplatform producer Pulse Films into a key television programming…
Taking stock of Turner
Turner Broadcasting System EMEA is heading for its best year, both in terms of ratings…