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Reports
Talking drama: The Other Guy
The Other Guy is, at its core, a comedy-drama about love (or, more specifically, a…
Making Amazon tick
Amazon’s original content strategy is a risk but could pay off in a big way,…
We’re going on a millennials hunt
With Planet Earth II beating reality TV programmes to audiences – including those crucial, lucrative…
Returning miniseries
Distributors will tell you that if they could have one drama production in their portfolio…
The kids OTT tidal wave
As technology continues to blur the line between linear and OTT, the opportunities for content…
The pilgrims of coproduction at Contecta Fiction
Much like the determined pilgrims of Galicia’s famous Camino de Santiago, Spanish-language TV companies in…
Drama at the members’ club
Howard Stringer and Jeremy Fox tell TBI about Atrium, their new club for platforms that…
Factual Hot Picks
Following the Sunny Side of the Doc event in La Rochelle, France, TBI profiles five hot…
Captive audience: the Spanish SVOD boom
Spain’s drama production sector is moving swiftly towards international television’s top tier, fuelled by the…
J.P. Bommel on NATPE Europe
J.P. Bommel became leader of US-based industry markets organisation NATPE in August 2015, initially joining…
Digging into CEE
The number of pay TV homes in Central and Eastern Europe are set to fall,…
The view from the Riviera
It’s hard to find a more beautiful and glamorous location to shoot than the Côte…
LA Screenings 2017 in pictures
The LA Screenings are over for another year, with most acquisitions executives now back in…
Taking Bull by the horns
Mark Goffman runs the top-rated freshman drama of the 2016/17 season in Bull. In this…
Branded with an indie label
The LA Screenings was set up initially as an opportunity for the major US studios…
LA Screenings 2017: Military procedure
International broadcasters are desperate for American procedurals, and this year the Hollywood studios believe they’ve…
Show stoppers
The golden age of TV drama has meant more programmes in production, and with resources…
Comedy at the crossroads
Comedy has not had the same uplift in budgets and ambition as straight-up scripted fare,…
Emerging kids studios
In spite of the challenges, some studios that had been offering services on a work-for-hire…
HBO Europe: Root’s cause
HBO Europe is well established as a producer in central and eastern Europe, and has…
Doubling down on All3Media International
In her first interview since returning to run All3Media International, Louise Pedersen tells Stewart Clarke…
In the Spirit of French animation
A few years back, Eric Jacquot and Armelle Glorennec’s French animation company Blue Spirit emerged…
TBI Interview: Mark Linsey’s Studios system
The BBC’s production arm has become a commercial subsidiary, changing its business model for the…
Script to Screen: Guerrilla
The story of how John Ridley’s passion project became Sky and Showtime’s latest star attraction,…
NBC’s alternative all stars
Amid the golden age of TV drama, NBC has done something remarkable in launching and…
Master’s key
With a credit list stretching longer than dozens of other writers combined, 80 year-old Andrew…
Gap Year financing
A February screening allows Entertainment One to showcase the fruits of a sustained investment in…
UK Screenings: ITV’s Formats Festival
ITV Studios began showcasing its latest wares to international buyers in London in 2011. With…
BBC Worldwide Showcase: in deep water
Ocean will be the focus of the Tuesday night activity for buyers at the BBC…
BBC Worldwide Showcase: big drama in Liverpool
Buyers will get a first look at some of 2017’s most-anticipated dramas at BBC Worldwide…