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Features
Monte Carlo’s TV circuit
The Monte-Carlo TV Festival wants to be for television what the Cannes Film Festival is…
In-demand charts: Spain (15 – 21 May 2016)
Our latest fortnightly feature in association with Parrot Analytics reveals the most in-demand shows from…
LA Screenings 2016: Star profile
The US broadcast networks are going big this year, with popular actors, producers and franchises…
The TBI Scripted Survey 2016 – part V
The TBI Scripted Survey 2016 reveals why, where and how the genre is evolving, tackling…
Viewpoint: Canada – the battle continues
At the end of last year I penned an opinion piece for TBI about the…
Emerging from the shadows: Brazilian drama
Brazil’s TV industry, widely and unwisely dismissed as primarily a source of telenovelas, has been…
Trans on TV
When cultural historians look back, 2015/16 will undoubtedly be seen as a landmark in terms…
In-demand charts: Germany (May 1-7, 2016)
Our latest fortnightly feature in association with Parrot Analytics reveals the most in-demand shows* from…
TBI Formats: Drinking tea with gangsters
Kate Beal, CEO & joint creative director, Woodcut Media Over the years I’ve filmed with…
Motoring up
With petrolhead show Top Gear making headlines, TBI gets to grips with the new show and…
Viewpoint: Should we go through the window to the world?
Gary Woolf, EVP, commercial development, All3Media International At this year’s Consumer Electronics Show in Las…
In the spotlight: Stephen Poliakoff
British writer and director Stephen Poliakoff’s award-winning work spans more than three decades on both…
In-demand charts: Denmark (April 17-23, 2016)
Our latest fortnightly feature in association with Parrot Analytics reveals the most in-demand shows from…
MENA creative boom beckons
Artistic experimentation in the Middle Eastern scripted market is booming. TBI assesses a new form…
The Chinese reality condundrum
Formats veteran Clare Thompson says the latest regulatory decrees about Chinese formats market are a…
Writer’s Room: Daisy Goodwin
British producer and novellist Daisy Goodwin’s first screenplay is for upcoming ITV and PBS period…
TBI Kids Survey 2016: what is the most impressive and original kids show out there today?
Asking kids TV executives to name the most impressive show out there (not one of…
TBI Kids Survey 2016: will the main channels continue to dominate
The consensus in terms of the domination, or otherwise, of the existing kids channels is…
Legitimate success for The Illegal
At the CoPro Series pitching competition in Berlin, the team behind The Book of Negroes…
TBI Kids Survey 2016: which digital service has the most potential?
It seems fair to throw this question to the people running digital services first. Hopster’s…
Drama’s Dirty Dozen emerge from Serial Eyes
As well as a popular 1967 war movie, the Dirty Dozen is a 12-strong collective…
TBI Kids Survey 2016: is a breakout global kids content hit coming?
It is hard to get new shows away, and even harder to get new shows…
A (Movi)star is born
A new player is joining Europe’s top drama producers: Spain’s leading pay TV platform Movistar…
TBI Kids Survey 2016: What is the biggest issue facing the industry?
TBI asks the the most influential players in the kids business for their views on…
Authentically survival
Survival shows are nothing new, but the last few years have seen the genre go…
10 MIPTV takeaways: the list in full
MIPTV takeaways: #1 no Rising Star, but Roots established MIPTV takeaways: #2 VR now a reality? MIPTV takeaways: #3…
10 MIPTV takeaways: #10 the market in numbers
Many people at MIPTV reported the market ‘felt quieter’, but also invariably said they got…
10 MIPTV takeaways: #9 making news, not in the news
There was plenty of news last week in Cannes, which was a change from the…
10 MIPTV takeaways: #7 the industry asks ‘how will MIP evolve?’
One question TV folk in Cannes were asking was how will MIP evolve? Should it…
10 MIPTV takeaways: #8 a quiet drama
MIPTV’s answer to the international boom in high-end drama was the inaugural MIPDrama Screenings event…