TBI Weekly


TBI Weekly: Reed Midem unveils “streamlined” MIPTV as exhibitors weigh options

Footfall was high but spirits were low at a busy MIPCOM that came at an uncertain juncture for some businesses and where talk turned largely to April’s reimagined MIPTV.  Renovation work along the beach and a boarded-up Croisette robbed most delegates of any seaside respite, with the market feeling somewhat claustrophobic despite robust activity – […]

TBI Weekly: When writers revolt, from LA to Berlin

Creative talent might be in demand but recognition and recompense remains an issue for writers from LA to Berlin. Richard Middleton catches up with developments at the Oslo Showrunners Summit in Norway. Talented writers are in demand around the world but you might not have guessed it from the way they have been treated in […]

TBI Weekly: Why the future is Sound for TV producers

The long-heralded age of audio is finally coming of age, and if you’re a savvy TV producer, you’d be remiss to underestimate the field, now rife with opportunities for cost-effective storytelling – not all of which needs to be spun off for TV.   The last fortnight alone has seen the launch of two international […]

TBI Weekly: Six takeaways from Netflix’s Reed Hastings at RTS

Considering Netflix CEO Reed Hastings was only on stage for 30 minutes at the Royal Television Society Convention in Cambridge on Friday, he covered a fair bit of ground. From his views on acquiring production companies (not likely), to spending more cash in the UK (upwards of $500m next year) and embracing ratings agency Barb, […]

TBI Weekly: How Red Arrow Studios fits into M&A frenzy (Column)

A flurry of deals yesterday highlighted the surging appetite for acquisitions and with companies including Red Arrow Studios on the block, the M&A frenzy has some way to run yet. Chances are, if you’re a production company in Europe or North America that has a smattering of successful shows on the slate – or even […]

TBI Weekly: Do producers have a “gun to their heads” over BritBox?

As international revenues for the UK’s TV production sector reach unprecedented levels, there is a battle brewing closer to home ahead of BritBox’s launch later this year, with trade body Pact claiming that producers have a “gun to their heads” over rights.   Major changes to BBC VOD platform iPlayer that see the 30-day catch-up window […]

TBI Weekly: Streaming evolution leaves Netflix out on its own

The end of August traditionally signals the end of vacations and a return to work for most in the northern hemisphere but for those in charge of nascent streamers and established players, it’s been a busy month. Following a flurry of summertime activity, attention is now turning back onto Netflix to see how it might […]

TBI Weekly: Netflix finds its ‘Love Island’ amid unscripted drive

A year on since forming its UK outpost and months out from launching Paris and Berlin bases, Netflix was out in force at the Edinburgh TV Festival, having made a raft of reality commissions, including a Love Island-style format, TBI understands.  It is believed that the SVOD giant has finally found its take on the […]

TBI Weekly: ViacomCBS, a US deal with global implications

CBS and Viacom’s merger might have created a $30bn US-based content company but a foray into their assets reveals a swathe of interests that stretch far beyond American shores, with implications for companies in the UK, Argentina, Australia, India and beyond. In one light, the deal is simply the latest salvo in the long line […]

TBI Weekly: What happens when limited series become unlimited?

If the behind-the-scenes turmoil of HBO’s Big Little Lies has achieved anything, it has been to demonstrate the unique turning point faced by limited series that become unlimited. The case, however unique, begs the question: can a series really be ‘limited’ anymore when the tectonic shifts rocking the industry increasingly call for returnable hits that […]