TBI Weekly

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TBI Weekly: Why cutting a deal with brands can deliver on documentaries

Tapping into brand’s budgets can open up swathes of opportunities, with documentaries one area offering…

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TBI Weekly: Ahead of MIPCOM, does anyone actually have any money?

As the industry gears up for MIPCOM in a month’s time, TBI’s resident format expert…

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TBI Weekly: Content Innovation Awards 2023 shortlist revealed

The Content Innovation Awards 2023 shortlist has been unveiled ahead of the ceremony at MIPCOM…

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TBI Weekly: From UK slowdown to global reset at the Edinburgh TV Festival

The 2023 edition of the Edinburgh TV Festival is wrapping up after four schedule-busting days…

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TBI Weekly: Shifting targets in South Africa amid Hollywood shutdown

With Hollywood closed for business, Arrested Industries CEO & TBI’s resident scripted expert Anthony Kimble…

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TBI Weekly: What Barbie teaches us about branded content

TBI’s resident branded content expert, Luci Sanan, explains what the global success of Barbie tells…

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TBI Weekly: Why not all press is good press for TV formats

The power of a good press release. Headlines raise brand awareness, keep content alive in…

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TBI Weekly: Why the UK is sleepwalking towards losing public-service kids’ content

Kids’ content veterans Anna Home and Greg Childs, the chair and director, respectively, of The…

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TBI Weekly: How Hollywood strikes could impact US studio strategy

With both the WGA and SAG-AFTRA now on strike, Omdia analysts David Hancock, Sarah Henschel…

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TBI Tech & Analysis: Can Hollywood afford to eschew AI?

The American film and TV industry is facing a renewed crisis, one that is erupting…