TBI Weekly
TBI Weekly: Why cutting a deal with brands can deliver on documentaries
Tapping into brand’s budgets can open up swathes of opportunities, with documentaries one area offering…
TBI Weekly: Ahead of MIPCOM, does anyone actually have any money?
As the industry gears up for MIPCOM in a month’s time, TBI’s resident format expert…
TBI Weekly: Content Innovation Awards 2023 shortlist revealed
The Content Innovation Awards 2023 shortlist has been unveiled ahead of the ceremony at MIPCOM…
TBI Weekly: From UK slowdown to global reset at the Edinburgh TV Festival
The 2023 edition of the Edinburgh TV Festival is wrapping up after four schedule-busting days…
TBI Weekly: Shifting targets in South Africa amid Hollywood shutdown
With Hollywood closed for business, Arrested Industries CEO & TBI’s resident scripted expert Anthony Kimble…
TBI Weekly: What Barbie teaches us about branded content
TBI’s resident branded content expert, Luci Sanan, explains what the global success of Barbie tells…
TBI Weekly: Why not all press is good press for TV formats
The power of a good press release. Headlines raise brand awareness, keep content alive in…
TBI Weekly: Why the UK is sleepwalking towards losing public-service kids’ content
Kids’ content veterans Anna Home and Greg Childs, the chair and director, respectively, of The…
TBI Weekly: How Hollywood strikes could impact US studio strategy
With both the WGA and SAG-AFTRA now on strike, Omdia analysts David Hancock, Sarah Henschel…
TBI Tech & Analysis: Can Hollywood afford to eschew AI?
The American film and TV industry is facing a renewed crisis, one that is erupting…