After more than 35 years of operation, TBI is closing its doors and our website will no longer be updated daily. Thank you for all of your support.
TBI Weekly
TBI Weekly: Why Hollywood’s C-suite shouldn’t be biting the hand that feeds it
With the chances of a US writers strike rising by the day, Arrested Industries co-CEO…
TBI Weekly: Devil’s in the detail – IP sharing in today’s grabby world, Part 2
Following on from last month’s column, TBI’s format guru Siobhan Crawford talks IP preservation and…
TBI Weekly: Making sense of an eventful Series Mania 2023
Record attendances, a juggernaut of top European and international execs, plus protestors’ running battles with…
TBI Weekly: What the new budget means for UK production sector
With new tax incentives for TV and film announced in the UK government budget this…
TBI Weekly: Why 2024 could look rather like 2014 as streamers hunker down
It’s almost a decade since Amazon Prime Video struck a pact with the BBC that…
TBI Weekly: Six takeaways from London TV Screenings
As buyers depart the UK capital following the biggest London TV Screenings to date, TBI…
TBI Weekly: Testing the temperature of the industry at Berlinale
Berlinale is becoming a key event on the international circuit and this year’s 73rd edition…
TBI Weekly: Why it’s time to embrace brand-funded production
Shayna Waldman, development and production executive at Clash Of Trades producer The ATS Team, takes…
TBI Weekly: How Rex kept the beat on C5’s sex, drugs & libel show
Paramount-owned UK broadcaster Channel 5 will debut Rex TV’s debut series, Frank Bough: National Treasure,…
TBI Weekly: Nine factual takeaways from Fipadoc in Biarritz
French broadcasters were out in force at Fipadoc last week in Biarritz, with true crime,…
TBI Weekly: What Amazon & HBO Max’s TV ads tell us about global content trends
If you want to make sense of the content industry right now, just turn on…
TBI Weekly: Why French film & TV are getting into bed together
French audiovisual body Unifrance marked its 25th Rendez-Vous in Paris by broadening out the traditionally…
TBI Weekly: Where WBD & its former content goes next
A rapid-fire succession of headlines this week has illuminated what comes next for Warner Bros….
Opinion: Eight New Year’s ‘evolutions’ for the format business
From unrecognised creativity to extortionate commissioning deals and execs unsuited to their roles, TBI’s resident…
TBI Weekly: TBI’s favourite shows of 2022
It’s that time of year when the TBI team looks back into the not-too-distant past…
TBI Weekly: Key takeaways from Asia TV Forum & NEM Zagreb
It has been a double whammy of market activity this week, with Asia TV Forum…
TBI Weekly: Six takeaways from World Congress of Science & Factual Producers
It has been a busy week for UK-based events, as producers, creatives and execs working…
TBI Weekly: Why now is the time to invest in future talent
Edouard Minc, director of Banijay Group’s corporate business affairs & director of business development at…
TBI Weekly: Five key takeaways from the Media & Entertainment Leaders Summit
From TikTok overtaking the advertising revenue of Meta and YouTube combined, to Vice’s expansion in…
TBI Weekly: Why the rise of TV’s working-class heroes matters
Screenwriter Brendan Foley tracks an emerging trend in drama and comedy portraying the battles of…
TBI Weekly: Five reasons why unscripted is the global trend
As the global demand for high quality documentaries and factual formats continues to rise, Mark…
TBI Weekly: How Amazon & Netflix are supercharging France’s format market
Amazon Prime Video and Netflix have both enjoyed huge recent success with unscripted formats in…
TBI Weekly: Six key takeaways from MIPCOM 2022
From private equity buying up IP to the frenzy around FAST and endless M&A rumours, MIPCOM…
TBI Weekly: Six key takeaways from MIA Market in Rome
Rome has been a hotbed of discussion for the international TV industry this week, as European and…
TBI Weekly: Delving into MIPCOM’s format headliners
With MIPCOM just over a week away, European format expert Siobhan Crawford casts her eye…
TBI Weekly: Why the US dollar’s strength matters to global TV
Financial market turmoil and currency devaluations can seem far removed from the creative process of…
TBI Weekly: Why power, clout & money are key to diversity reform
Diversity within the content business has often been seen as something talked about, but not…
TBI Weekly: The problem with the UK’s format isolationism
With MIPCOM on the horizon, European format specialist Siobhan Crawford offers a plea to UK…
TBI Weekly: Six takeaways from Les Rendez-vous Unifrance in Biarritz
The French seaside town of Biarritz has been home to more than 250 international buyers…
TBI Weekly: Exploring the stakes in the clash of Rings and Dragons
Once upon a time, two of the world’s biggest media giants both launched prequel drama…