Features

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‘Russian HBO’ makes a major channels move

Russian producer Amedia has moved into the channels business in a big way, effectively launching…

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Haslingden tunes up a new super indie

Until September last year, David Haslingden was Fox’s top channels executive, running its US and…

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Murphy goes one step beyond

The new general manager of Australia-based Beyond Television tells TBI about changing international perceptions of…

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NATPE’s Rod Perth: ‘TV talks Hollywood, Silicon Valley speaks Hungarian’

With NATPE Budapest 2013 wrapped up, Jesse Whittock sits down with NATPE CEO Rod Perth…

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French documentaries singled out

Despite European public channels closing documentary slots and growing competition from hosted factual and reality…

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Formats to see in CEE

As NATPE Budapest gets underway, TBI speaks to the main players about selling formats into…

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Viewpoint: Atlantic’s Anthony Geffen on making factual content multiplatform

Atlantic Productions’ CEO Anthony Geffen on taking factual content from giant screen to TV screen…

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FremantleMedia and BBC on kids partnership

Earlier this year the BBC and the Kids and Family division of FremantleMedia inked a…

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Viewpoint: bringing a classic format into the digital era

DRG’s managing director, acquisitions and formats Andrea Jackson on how classic UK gameshow Catch Phrase…

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Global formats: sing and the world watches with you

TBI has teamed up with Eurodata TV Worldwide once again to uncover the most successful…

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Viewpoint: how social media rewired the formats business

Viacom International Media Network’s senior VP Caroline Beaton explains how social media has created a…

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International Studios: Drama Studies

For a week in May the attention of the TV world is focused on Hollywood…

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2013 LA Screenings in review

As the sun sets on the studio lots and the myriad of international buyers head…

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2013 LA Screenings Buyer Profile: Sena Argun, SinemaTV

Sena Argun is in LA this week buying for a SinemaTV’s bouquet of Turkish pay…

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Using the UK tax credit to boost trans-Atlantic relations

Patrick Irwin, Justin Thomson-Glover and Louisa Spring – the principals of London and LA-based exec-production,…

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2013 LA Screenings Buyer Profile: Douglas Davis, Blinkbox

Douglas Davis is in LA this week attending the Screenings for the first time. Davis…

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2013 LA Screenings Buyer Profile: Catherine Mackin, UKTV

Catherine Mackin is director of programme acquisitions at UK channel operator UKTV. It runs a…

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2013 LA Screenings Buyer Profile: Özlem Özsümbül, Kanal D

Özlem Özsümbül is head of sales and acquisitons at Kanal D. With a shopping list…

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LA Screenings: Broadcast Strikes Back

With US cable series such as Hatfields & McCoys gaining traction with key demographics in…

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2013 LA Screenings Buyer Profile: Stephen Mowbray, SVT

SVT airs several big US shows and recently bought The Bible and Bates Motel. Stephen…

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2013 LA Screenings Buyer Profile: Sarah Wright, controller of acquisitions, BSkyB

UK pay TV operator BSky is the largest UK-based buyer of US studio programming and…

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Miniseries strike back

A few years ago, it looked like scripted miniseries were heading for the scrapheap. With…

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Viewpoint: Patty Geneste

Patty Geneste, chairman, FRAPA and CEO Absolutely Independent and Gertjan van Valen, marketing & sales…

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Tax breaks fuel UK’s global production hub ambitions

When UK Chancellor George Osborne sat down on March 20 having presented his Budget, the…

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Shooting Starz

Starz has built a solid slate of original programmes in recent years with the Spartacus…

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France’s new wave

With shortform content, event TV and international copros, a new wave of French producers are…

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Viewpoint: Is Channel 4’s content strategy fit for purpose?

Nick Thomas, principal analyst, TV & Digital Media, at Informa Telecoms & Media asks whether…

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The new super groups: Red Arrow Entertainment

In the second part of our two-part report on emerging international production groups, TBI talks…

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The new super groups: Argonon

In the first of a two-part feature on emerging production super groups, Stewart Clarke talks…

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Epic drama for factual channels

The last decade saw the big factual channels move from documentary led schedules to grids…