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Features
‘Russian HBO’ makes a major channels move
Russian producer Amedia has moved into the channels business in a big way, effectively launching…
Haslingden tunes up a new super indie
Until September last year, David Haslingden was Fox’s top channels executive, running its US and…
Murphy goes one step beyond
The new general manager of Australia-based Beyond Television tells TBI about changing international perceptions of…
NATPE’s Rod Perth: ‘TV talks Hollywood, Silicon Valley speaks Hungarian’
With NATPE Budapest 2013 wrapped up, Jesse Whittock sits down with NATPE CEO Rod Perth…
French documentaries singled out
Despite European public channels closing documentary slots and growing competition from hosted factual and reality…
Formats to see in CEE
As NATPE Budapest gets underway, TBI speaks to the main players about selling formats into…
Viewpoint: Atlantic’s Anthony Geffen on making factual content multiplatform
Atlantic Productions’ CEO Anthony Geffen on taking factual content from giant screen to TV screen…
FremantleMedia and BBC on kids partnership
Earlier this year the BBC and the Kids and Family division of FremantleMedia inked a…
Viewpoint: bringing a classic format into the digital era
DRG’s managing director, acquisitions and formats Andrea Jackson on how classic UK gameshow Catch Phrase…
Global formats: sing and the world watches with you
TBI has teamed up with Eurodata TV Worldwide once again to uncover the most successful…
Viewpoint: how social media rewired the formats business
Viacom International Media Network’s senior VP Caroline Beaton explains how social media has created a…
International Studios: Drama Studies
For a week in May the attention of the TV world is focused on Hollywood…
2013 LA Screenings in review
As the sun sets on the studio lots and the myriad of international buyers head…
2013 LA Screenings Buyer Profile: Sena Argun, SinemaTV
Sena Argun is in LA this week buying for a SinemaTV’s bouquet of Turkish pay…
Using the UK tax credit to boost trans-Atlantic relations
Patrick Irwin, Justin Thomson-Glover and Louisa Spring – the principals of London and LA-based exec-production,…
2013 LA Screenings Buyer Profile: Douglas Davis, Blinkbox
Douglas Davis is in LA this week attending the Screenings for the first time. Davis…
2013 LA Screenings Buyer Profile: Catherine Mackin, UKTV
Catherine Mackin is director of programme acquisitions at UK channel operator UKTV. It runs a…
2013 LA Screenings Buyer Profile: Özlem Özsümbül, Kanal D
Özlem Özsümbül is head of sales and acquisitons at Kanal D. With a shopping list…
LA Screenings: Broadcast Strikes Back
With US cable series such as Hatfields & McCoys gaining traction with key demographics in…
2013 LA Screenings Buyer Profile: Stephen Mowbray, SVT
SVT airs several big US shows and recently bought The Bible and Bates Motel. Stephen…
2013 LA Screenings Buyer Profile: Sarah Wright, controller of acquisitions, BSkyB
UK pay TV operator BSky is the largest UK-based buyer of US studio programming and…
Miniseries strike back
A few years ago, it looked like scripted miniseries were heading for the scrapheap. With…
Viewpoint: Patty Geneste
Patty Geneste, chairman, FRAPA and CEO Absolutely Independent and Gertjan van Valen, marketing & sales…
Tax breaks fuel UK’s global production hub ambitions
When UK Chancellor George Osborne sat down on March 20 having presented his Budget, the…
Shooting Starz
Starz has built a solid slate of original programmes in recent years with the Spartacus…
France’s new wave
With shortform content, event TV and international copros, a new wave of French producers are…
Viewpoint: Is Channel 4’s content strategy fit for purpose?
Nick Thomas, principal analyst, TV & Digital Media, at Informa Telecoms & Media asks whether…
The new super groups: Red Arrow Entertainment
In the second part of our two-part report on emerging international production groups, TBI talks…
The new super groups: Argonon
In the first of a two-part feature on emerging production super groups, Stewart Clarke talks…
Epic drama for factual channels
The last decade saw the big factual channels move from documentary led schedules to grids…