Reports

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Laughing matters at the Edinburgh Int’l TV Festival

Shane Smith and his plan to take over the media world dominated delegate chatter at…

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Formats set for dramatic revival

Analysis of new programmes launched by genre round the world shows that the level of…

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Brexit: what does it mean for kids TV?

The kids TV business is starting to weigh the impact of Britain’s pending European Union…

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NATPE: better in Budapest

The NATPE Budapest 2016 Market & Content Summit, which launches today, is J.P. Bommel’s first…

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Demanding more from TV

Exclusive data from TBIVision and Parrot Analytics reveals central and eastern Europe’s most in-demand programmes…

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Annecy 2016 report

In a global animation market, the Annecy International Animated Film Festival reflected changes in the…

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eSporting chance

The biggest programme genre of future might come from an unusual source. Jesse Whittock speaks…

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Windows shopping

The advent of international OTT services has created unheralded demand for first-run drama. One result…

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Telcos target TV

Telecoms operators are increasingly looking to TV to drive new subs, increase customer loyalty and…

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8, 9, 10, Telemundo

Luis Silberwasser took charge of Telemundo in late 2014 and has set about revolutionising its…