Features

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TBI’s 2019 Distributor Survey results revealed

As the content business prepares for an SVOD onslaught over the next six months, distributors…

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TBI Well-being: How to survive MIPCOM

In this month’s Well-being column, former BBC Studios exec and corporate wellness coach Tracy Forsyth…

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Breaking the taboo: How do we navigate mental health in TV?

Mental ill-health in the TV sector is an unspoken reality for many working in the…

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TBI Weekly: When writers revolt, from LA to Berlin

Creative talent might be in demand but recognition and recompense remains an issue for writers…

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All3Media secures ‘Liar’ remake in Spain, strikes Cinetic deal

All3Media has struck a deal with Spain’s Atresmedia to remake its scripted thriller Liar, and…

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Writer’s Room: Imagining the unimaginable with ‘The Windermere Children’

In TBI’s Writer’s Room, The Eichmann Show’s Simon Block discusses how he set about adapting…

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Putting a fragmented audience back together (Column)

Carlotta Rossi Spencer, Banijay Group’s SVP of format acquisitions, argues for a return to family…

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BFI’s Young Audiences Content Fund: a fund indeed for a nation in need

The UK children’s industry is already feeling the benefit of a new $70m fund but…

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Inside the rise of Pluto TV: “This is not Viacom Direct”

Pluto TV was thusly named because of the AVOD platform’s perceived underdog status in a…

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Five key lessons TV can learn from the film world

Carlo Dusi, exec VP of commercial strategy for scripted at Red Arrow Studios International and…