Features
Bigger, better and celebrity-laden: Is the future of docs sustainable?
As documentaries cutting through on SVODs begin to look glossier and more high-profile by the…
Inside esports: Q&A with Stéphane Gambetta, Reed MIDEM (sponsored)
The purpose of this article is to better inform readers about the esports phenomenon. Esports…
‘Knock Down The House’ reveals hunger for youth-skewing fare
Netflix knocked down the house in February, dishing out $10m for a high-profile film on…
Maintaining authenticity in kids’ programming
When I first started my career in the entertainment industry back in the early noughties,…
Writer’s Room: Comedy is personal – Sarah Scheller
I have been fortunate enough to write two series of The Letdown, a very personal,…
TBI Weekly: Content rights are ‘key battleground’ in streamer war
As 2019 goes by, the looming clash of the streamers gets closer. WarnerMedia this week…
Vive la France: Adapting to a new normal
Driven by a high volume of content – 4,873 hours in all – produced in…
Sports streamers: a long road ahead
As new sports streaming services such as DAZN and Eleven Sports aggressively seek out rights…
Live long and prosper: Inside All Access
CBS was the first US broadcaster to launch a streaming play, but how is it…
Facebook’s Patrick Walker: Less about ‘You’ and more about ‘Us’
You may remember in 2006 when ‘You’ was named Person of the Year by Time…