Features

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Bigger, better and celebrity-laden: Is the future of docs sustainable?

As documentaries cutting through on SVODs begin to look glossier and more high-profile by the…

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Inside esports: Q&A with Stéphane Gambetta, Reed MIDEM (sponsored)

The purpose of this article is to better inform readers about the esports phenomenon. Esports…

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‘Knock Down The House’ reveals hunger for youth-skewing fare

Netflix knocked down the house in February, dishing out $10m for a high-profile film on…

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Maintaining authenticity in kids’ programming

When I first started my career in the entertainment industry back in the early noughties,…

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Writer’s Room: Comedy is personal – Sarah Scheller

I have been fortunate enough to write two series of The Letdown, a very personal,…

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TBI Weekly: Content rights are ‘key battleground’ in streamer war

As 2019 goes by, the looming clash of the streamers gets closer. WarnerMedia this week…

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Vive la France: Adapting to a new normal

Driven by a high volume of content – 4,873 hours in all – produced in…

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Sports streamers: a long road ahead

As new sports streaming services such as DAZN and Eleven Sports aggressively seek out rights…

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Live long and prosper: Inside All Access

CBS was the first US broadcaster to launch a streaming play, but how is it…

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Facebook’s Patrick Walker: Less about ‘You’ and more about ‘Us’

You may remember in 2006 when ‘You’ was named Person of the Year by Time…