Kate Beal

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Breaking the taboo: How do we navigate mental health in TV?

Mental ill-health in the TV sector is an unspoken reality for many working in the…

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Discovery serves up Woodcut’s ‘British Police: Our Toughest Cases’

Discovery has commissioned Woodcut Media for a Quest Red series on the British police, and…

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Avalon Factual Television exec moves to Woodcut

Avalon Factual Television features and daytime chief Matthew Gordon is moving to another UK prodco,…

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Prison sells

Prisons have long been a source of fascination for TV producers – as illustrated by…

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TBI Formats: Drinking tea with gangsters

Kate Beal, CEO & joint creative director, Woodcut Media Over the years I’ve filmed with…

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TV’s Big Questions: has 4K truly broken through?

There was a buzz around ultra-high definition television coming into 2015, but did the medium…

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Keshet plots crime move with Woodcut deal

Israel’s Keshet International is getting into unscripted crime programming distribution following a deal with UK…

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TV’s Big Questions: what is shaping the world of content?

Platforms, technology and marketing aside, what really drives the international TV industry is content. We…

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Woodcut poaches A+E commissioner

Woodcut Media has poached A+E Networks UK buyer Jinal Patel to become its joint creative…

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Guilty pleasures

Murder. Bloodlust. Revenge. Jesse Whittock listens to testimony from leading executives and gathers evidence to…

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