TBI Scripted October/November 2019

Inside the multi-million dollar drama trap
High-end scripted product has never been more lucrative but it also carries increasing risk, so how can producers and distributors navigate these challenging times?

Duking it out with global drama
TBI takes a trip to Ireland to find out about A+E Networks International’s uniquely funded drama Miss Scarlet And The Duke

When writers revolt
Creative talent might be in demand but writers from LA to Berlin feel they aren’t being given the recognition they deserve

Austen untold
Adaptation stalwart Andrew Davies discusses filling in the gaps on his latest work

Sally forever
Happy Valley and Gentleman Jack scribe Sally Wainwright on creative control, becoming complacent and working with streamers

Expanded thinking
Brazilian giant Globo has just spent $50m on a sprawling new studio complex, but what does it say about the broadcaster’s domestic and international ambitions?

Writer’s Room: Franck Philippon
The creator of Mirage, the first show from Europe’s Alliance of public broadcasters.

Scripted Hot Picks
TBI’s take on the hottest scripted series shows heading down to Cannes for MIPCOM