TBI Weekly
TBI Weekly: How ‘Gomorrah’ put Italian drama on the map
Few shows have done as much to put Italian TV drama on the map as…
TBI Weekly: The evolution of ethics in true crime filmmaking
Nick Mavroidakis, executive producer at UK factual indie Woodcut Media, explores how the past decade…
TBI Weekly: How creative coproductions can help to temper turbulence
As the industry battles through the ongoing turmoil of 2024, tapping into the benefits of…
TBI Weekly: MIPTV – The one that got away
MIPTV wrapped its 61st and final edition this week, capping a tumultuous recent few years…
TBI Weekly: OOO in the sunshine of Cannes (eat that London)
As the final MIPTV prepares to be rolled out in Cannes, TBI’s resident format expert…
TBI Weekly: What’s driving Europe’s factual revolution?
US docuseries have helped to revolutionise factual content over the past decade but the genre’s…
TBI Weekly: Five key takeaways from Series Mania Forum 2024
Series Mania Forum was abuzz this week as execs came together to compare notes on…
TBI Weekly: Why ‘The Wire’s success matters now more than ever
As commissioners look to franchises and mainstream dramas to provide returns on investment, Nick Edwards…
TBI Weekly: How streaming chaos has created a buyers paradise
Not too long ago, it was almost unthinkable that an international streaming service would ever…
TBI Weekly: It’s been a bright London TV Screenings… but are storm clouds on the horizon?
London TV Screenings is drawing to a close today after a week of deals, dialogue,…