Richard Melman


How Netflix is shaking up the documentary world

Netflix is raising the bar for factual to premium levels and introducing ‘box sets’ and ‘binge-watching’ into commissioning vocabulary, all while growing traditional broadcasters’ budgets and ambitions for documentary. Tim Dams reports. Netflix has famously spent its way into the homes of viewers around the world by backing original dramas such as The Crown, 13 […]

Op-ed: Think outside the slot

Richard Melman, managing director and executive producer at Spring Films, argues that broadcasters need to think outside the common one-hour slot when it comes to factual titles. Broadcasters have told us for years that one-hour factual slots work best for viewers – and by default schedulers and advertisers – hence the almost complete lack of […]