The golden age of TV drama has meant more programmes in production, and with resources increasingly scarce, American showrunners are coming to Europe to find work and vice versa. How far have the lines become blurred. Words: Jesse Whittock Though the US has been the dominant force in global television for decades, its model of […]
Henrik Bastin, the CEO of LA-based Fabrik Entertainment, has renewed his contract at the Bosch prodco. His new deal is described as “multi-year”, as Fabrik continues developing US projects such as TNT’s The Deep Mad Dark, an FX series based on novel Ancillary Justice, The Limit for AMC and Midnights for USA Network. He has […]
The TBI Scripted Survey 2016 reveals why, where and how the genre is evolving, tackling the big issues with anecdotal evidence and data gathered from the world’s top scripted executives. Lights… camera… action! In a fragmented market, what is the most fruitful way to source IP? Have you got a idea burning away, […]
The TBI Scripted Survey 2016 reveals why, where and how the genre is evolving, tackling the big issues with anecdotal evidence and data gathered from the world’s top scripted executives. Lights… camera… action! The Netflix question: what is the single most important way in which Netflix has changed the TV drama market? It […]
In the summer of 2012, Red Arrow International announced that it was teaming up with Red Arrow-owned production company Fabrik (formerly Fuse) on a TV adaption of Michael Connelly’s Harry Bosch detective novels. Now, on the eve of MIPTV, the company is ready to meet buyers and explain why Bosch can become an enduring TV […]
