TBI Weekly

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TBI Weekly: Six takeaways from London TV Screenings

As buyers depart the UK capital following the biggest London TV Screenings to date, TBI…

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TBI Weekly: Testing the temperature of the industry at Berlinale

Berlinale is becoming a key event on the international circuit and this year’s 73rd edition…

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TBI Weekly: Why it’s time to embrace brand-funded production

Shayna Waldman, development and production executive at Clash Of Trades producer The ATS Team, takes…

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TBI Weekly: How Rex kept the beat on C5’s sex, drugs & libel show

Paramount-owned UK broadcaster Channel 5 will debut Rex TV’s debut series, Frank Bough: National Treasure,…

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TBI Weekly: Nine factual takeaways from Fipadoc in Biarritz

French broadcasters were out in force at Fipadoc last week in Biarritz, with true crime,…

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TBI Weekly: What Amazon & HBO Max’s TV ads tell us about global content trends

If you want to make sense of the content industry right now, just turn on…

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TBI Weekly: Why French film & TV are getting into bed together

French audiovisual body Unifrance marked its 25th Rendez-Vous in Paris by broadening out the traditionally…

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TBI Weekly: Where WBD & its former content goes next

A rapid-fire succession of headlines this week has illuminated what comes next for Warner Bros….

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Opinion: Eight New Year’s ‘evolutions’ for the format business

From unrecognised creativity to extortionate commissioning deals and execs unsuited to their roles, TBI’s resident…

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TBI Weekly: TBI’s favourite shows of 2022

It’s that time of year when the TBI team looks back into the not-too-distant past…