TBI Weekly
TBI Weekly: How and why private equity is getting into TV
It’s been a busy few months for M&A execs around the world. From Banijay’s acquisition…
TBI Weekly: Why Banijay wanted Endemol Shine Group
As far as ‘will they won’t they’ takeover stories go, Banijay Group’s courtship of Endemol…
TBI Weekly: Reed Midem unveils “streamlined” MIPTV as exhibitors weigh options
Footfall was high but spirits were low at a busy MIPCOM that came at an…
TBI Weekly: When writers revolt, from LA to Berlin
Creative talent might be in demand but recognition and recompense remains an issue for writers…
TBI Weekly: Why the future is Sound for TV producers
The long-heralded age of audio is finally coming of age, and if you’re a savvy…
TBI Weekly: Six takeaways from Netflix’s Reed Hastings at RTS
Considering Netflix CEO Reed Hastings was only on stage for 30 minutes at the Royal…
TBI Weekly: How Red Arrow Studios fits into M&A frenzy (Column)
A flurry of deals yesterday highlighted the surging appetite for acquisitions and with companies including…
TBI Weekly: Do producers have a “gun to their heads” over BritBox?
As international revenues for the UK’s TV production sector reach unprecedented levels, there is a…
TBI Weekly: Streaming evolution leaves Netflix out on its own
The end of August traditionally signals the end of vacations and a return to work…
TBI Weekly: Netflix finds its ‘Love Island’ amid unscripted drive
A year on since forming its UK outpost and months out from launching Paris and…