Stay UpdatedFeatures
5 min read
TBI Weekly: When writers revolt, from LA to Berlin
Creative talent might be in demand but recognition and recompense remains an issue for writers…
2 min read
All3Media secures ‘Liar’ remake in Spain, strikes Cinetic deal
All3Media has struck a deal with Spain’s Atresmedia to remake its scripted thriller Liar, and…
3 min read
Writer’s Room: Imagining the unimaginable with ‘The Windermere Children’
In TBI’s Writer’s Room, The Eichmann Show’s Simon Block discusses how he set about adapting…
3 min read
Putting a fragmented audience back together (Column)
Carlotta Rossi Spencer, Banijay Group’s SVP of format acquisitions, argues for a return to family…
8 min read
BFI’s Young Audiences Content Fund: a fund indeed for a nation in need
The UK children’s industry is already feeling the benefit of a new $70m fund but…
6 min read
Inside the rise of Pluto TV: “This is not Viacom Direct”
Pluto TV was thusly named because of the AVOD platform’s perceived underdog status in a…
3 min read
Five key lessons TV can learn from the film world
Carlo Dusi, exec VP of commercial strategy for scripted at Red Arrow Studios International and…
2 min read
Writer’s Room: Richie Mehta. Turning timeline into takes for ‘Delhi Crime’
Writer-director Richie Mehta on how he deconstructed India’s notorious 2012 gang-rape case for a seven-part…
3 min read
How to gain access to restrictive locations
Adam Jacobs, exec producer at UK-based Woodcut Media, discusses how to get access to restrictive…
2 min read
Cracking down on co-productions
Alastair Fothergill, producer of Netflix’s Our Planet, has warned that SVOD players “will not consider…