Features

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Five key takeaways from Filmart 2024

Rashmi Bajpai, Banijay Rights’ EVP for Asia, shares her five key takeaways from last week’s…

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Opinion: Should there be a small indie quota?

With the UK indie sector in jeopardy, Indielab CEO Victoria Powell raises a call to…

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Buyer’s Profile: Kai Finke, SkyShowtime, chief content officer

In this ongoing series, TBI speaks to key buyers about the shows they want and…

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TBI Tech & Analysis: Underlining the value of Netflix’s non-English content

Omdia’s senior analyst Daoud Jackson delves into Netflix’s global viewership data and explores what it…

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TBI Weekly: Why ‘The Wire’s success matters now more than ever

As commissioners look to franchises and mainstream dramas to provide returns on investment, Nick Edwards…

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TBI Tech & Analysis: How the big beasts of the global TV & video markets compare

We might be living through a period of retrenchment when it comes to content spending…

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TBI Weekly: How streaming chaos has created a buyers paradise

Not too long ago, it was almost unthinkable that an international streaming service would ever…

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Why it’s time for creators to get immersed in VR

With Apple TV+ recently adding immersive originals to its lineup, Mark Layton delves into the…

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Script to Screen: The Marlow Murder Club

Ahead of the launch of The Marlow Murder Club tomorrow, Mark Layton speaks to creator…

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TBI Tech & Analysis: Where Nordic TV trends are going next

The Nordic quartet of Denmark, Norway, Sweden and Finland have for decades tended to be…