Features
Five key takeaways from Filmart 2024
Rashmi Bajpai, Banijay Rights’ EVP for Asia, shares her five key takeaways from last week’s…
Opinion: Should there be a small indie quota?
With the UK indie sector in jeopardy, Indielab CEO Victoria Powell raises a call to…
Buyer’s Profile: Kai Finke, SkyShowtime, chief content officer
In this ongoing series, TBI speaks to key buyers about the shows they want and…
TBI Tech & Analysis: Underlining the value of Netflix’s non-English content
Omdia’s senior analyst Daoud Jackson delves into Netflix’s global viewership data and explores what it…
TBI Weekly: Why ‘The Wire’s success matters now more than ever
As commissioners look to franchises and mainstream dramas to provide returns on investment, Nick Edwards…
TBI Tech & Analysis: How the big beasts of the global TV & video markets compare
We might be living through a period of retrenchment when it comes to content spending…
TBI Weekly: How streaming chaos has created a buyers paradise
Not too long ago, it was almost unthinkable that an international streaming service would ever…
Why it’s time for creators to get immersed in VR
With Apple TV+ recently adding immersive originals to its lineup, Mark Layton delves into the…
Script to Screen: The Marlow Murder Club
Ahead of the launch of The Marlow Murder Club tomorrow, Mark Layton speaks to creator…
TBI Tech & Analysis: Where Nordic TV trends are going next
The Nordic quartet of Denmark, Norway, Sweden and Finland have for decades tended to be…